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Um, just posting to let anyone who still reads this (rocket, I know it's just you out there) know that after a really...really depressingly long period of no art. I'm going to try to start doing things again. Mainly digital actually...which I've never tried before so it will probably all suck. But I've received a copy of photoshop cs3, and a request from a friend to illustrate his D&D universe...so I figured why not...
ps...rocket, if you're reading this, will you help me hack out some ideas in OC this weekend or earlier? Please...-puppydogeyes- I love you?
yes! finally found other IB work. hehe. yea, my first year IB H. you ever get that period.. it feels like.. artists' block or something haha.. yea. I chose Phobias as my theme. but honestly, i hate the way IB art works, just sticking to one theme. Whatever I feel like painting, I'll paint, gah & I hate sketchbook too. research is crap. So yea, I was just wondering like, cause your pieces are really cool. Any themes come to mind?
--
"Be one with yourself, It'll be easier when you have self conflicts"
-The Great One
Hi! I like your gallery, everything is really good. I'm just looking around at everyone's IB stuff cuz I just started IB Art first year like 3 weeks ago. I wanted to know what other IB students did, and you helped me in my search. So thank-you!
Reeeeeally belated, but thank you so much for the watch. It means a lot to me when people like my stuff enough to keep an eye on what I'll have coming up next!
just kidding, um, I never really developed a theme for my SL work (what you're seeing here on the site) I took my SL test last year, the interveiwer never asked anything about theme, she seemed to be more interested in how I did each peice as opposed to why. I don't know if that was just a fluke or something. But now I'm taking the HL test and I still don't have a theme. Looking at the SL kids getting ready for their shows, it seems like having a theme is more of a hinderence than a help. They're stressing to make things apply to the theme instead of just doing art. So Yeah, no theme.
No themes? - Oh, sounds like your school has quite a different approach to the IB then, especially with allowing you to do both SL and HL. Are you doing the full diploma?
We did "Me and my music" (embarrasingly bad, as pre-school as it sounds, but allowed for a lot of media-experimentation etc.), "Henry Moore/Parent&Child" (forced us painters to do 3D, which was... interesting, but didn't result in the best of work. I did installation here too. Loved that), and finally: "Death/Design your grave" (You guessed it: The point where I broke away and did my own thing... ) Now I'm doing this identity-development/cultural background-thing, where I dress children up. I don't know, the themes are quite helpful, I think - you are forced to go through a more structured design process, research is easier, because you have a target and your work all links ill, one informing the other. This really makes a difference when you view your work as a whole ... I'm told.
yeah, I'm full IB. But I took the SL art and french courses in 1 year as opposed to 2. So now I have free time in my senior year to test in HL if I want.
It seems like my schools interpretation of theme is completely different than yours. We are supposed to develope one broad theme that will last us 2 years. Like...I know one girl is doing "death" as her theme and showing how it is received in different cultures.
Personally I don't think theme restrictions and assignments work for everyone. When I'm given something with guidelines I just feel the overwhelming urge to not listen to them, especially in art. I think in the nearing 2 years I've had of IB art, I've yet to have one assignment. The most dialogue I've had with my art prof was probably me saying "hey, this look okay" and her responding "yup". I guess it would be interesting to see how it works a different way. But I feel that my work when veiwed as a whole is cohesive, despite the lack of apparent theme, because of the style I have and not due to any underlying message.
Looking at the situation in my school, which is mixed between non, partial, and full IB students; I can honestly say that the full IB kids take themselves far too seriously. They're tense, and always on time. I just don't see art as being that punctual. Looking back at last years scores, it seems like the more laid back the kid was, the better their test score was (which to note, drove the perfectionists insane). I'm the biggest slacker in the program, and I fit into IB art really well (other classes are a different matter entirely). If you've ever looked at the outline and syllabus for IB SL and HL art, even they are abiguous.
Full IB students taking themselves (and their work) too seriously? Naah, you really think so?
.... of course we do, especially those at my school - elitists and perfectionists all of us (me included I'd better add). In a way art doesn't fit into this academic side of the IB at all, though the criteria tried very hard to make it so. As I'm frequently reminded by the Group 6 Scientists, we artists don't even have a written exam! On the other side though, I think the IB couldn't work without it: this whole 'multicultural-united world-international-CAS-helping each other' view is only truely expressed in Art as a subject, so they need us artists.
I think it depends on your level, when you enter the IB: You have this amazing talent, so maybe this meant that you already has an understanding of art, which gave you the confidence to instinctively adapt to IB criteria + to produce brilliant work. You fit into IB art naturally. My early IB work was terrible (honestly), and most of all lacked confidence and experience. If I personally hadn't had the teacher-guidance in the beginning and some specific themes to concentrate on, I wouldn't have reached my current level of technical skill or independence. In short: Yes, it's different from person to person - which maybe is exactly why the criteria and the outline is so famously vague and abiguous. (Yes, I just defended the IBO, the ultimate enemy)
(If this makes no sense blame the fact that I just finished ALL my RWBs, 300 pages in total. Mad.)
Research...work..book? Yes..I should maybe do that..probably. I have this nasty habit of drawing on napkins..and cardboard boxes. It makes for interesting art, but takes away from the research work book area. I dunno', personally the art isn't scaring me so much as the world literature papers. That is a truly terrifying monster. Everything I'm not good at, English + due dates. Ugh. Then there's TOK, good lord I'm gonna die. All due the 23rd. I think it's just sick the way they worked that out. I would have much rather had everything due earlier in the year so I could actually enjoy being a senior. -shrug- suppose that's the way IB goes.
Just a random question I've been wanting to ask someone in IB at a different school; is there a class distinction involved between IB and non IB students? I don't know if your school is full IB or not. But mine isn't, and it's become painfully obvious that all the upper middle class white kids who went to private school are in IB, and the rest of the student body is well...one could say "overwhelmingly" hispanic.
I don't know if I'm coming to conclusions a little too hastilly, but looking at the program, there are perhaps 40 or 50 anglo-saxon kids, then there's one persian girl, 2 hispanic kids, and me. That is in no way a reflection of our schools racial demographic. Also, most of the people in these classes come from the upper part of the economic bracket, which is also a pretty huge deviation from the norm (60% of our school lives below the poverty line). I don't know, just thought I'd ask around to see if that's true elsewhere. It kind of ruins the idea that IB is an educational system built around equal representation from all areas.
--
"Be one with yourself, It'll be easier when you have self conflicts"
-The Great One
--
~That wasn't very nice. You killed my hat.~
--
Don't talk about the evil... Its gonna wake up the curiousity in their heart*
Max_icon
Have an amazing day!
--
(Avatar by VonCrowd, cuz she is teh awsum.)
<3
just kidding, um, I never really developed a theme for my SL work (what you're seeing here on the site) I took my SL test last year, the interveiwer never asked anything about theme, she seemed to be more interested in how I did each peice as opposed to why. I don't know if that was just a fluke or something. But now I'm taking the HL test and I still don't have a theme. Looking at the SL kids getting ready for their shows, it seems like having a theme is more of a hinderence than a help. They're stressing to make things apply to the theme instead of just doing art. So Yeah, no theme.
How about you?
--
Potted Ham
We did "Me and my music" (embarrasingly bad, as pre-school as it sounds, but allowed for a lot of media-experimentation etc.), "Henry Moore/Parent&Child" (forced us painters to do 3D, which was... interesting, but didn't result in the best of work. I did installation here too. Loved that), and finally: "Death/Design your grave" (You guessed it: The point where I broke away and did my own thing... ) Now I'm doing this identity-development/cultural background-thing, where I dress children up. I don't know, the themes are quite helpful, I think - you are forced to go through a more structured design process, research is easier, because you have a target and your work all links ill, one informing the other. This really makes a difference when you view your work as a whole ... I'm told.
It seems like my schools interpretation of theme is completely different than yours. We are supposed to develope one broad theme that will last us 2 years. Like...I know one girl is doing "death" as her theme and showing how it is received in different cultures.
Personally I don't think theme restrictions and assignments work for everyone. When I'm given something with guidelines I just feel the overwhelming urge to not listen to them, especially in art. I think in the nearing 2 years I've had of IB art, I've yet to have one assignment. The most dialogue I've had with my art prof was probably me saying "hey, this look okay" and her responding "yup". I guess it would be interesting to see how it works a different way. But I feel that my work when veiwed as a whole is cohesive, despite the lack of apparent theme, because of the style I have and not due to any underlying message.
Looking at the situation in my school, which is mixed between non, partial, and full IB students; I can honestly say that the full IB kids take themselves far too seriously. They're tense, and always on time. I just don't see art as being that punctual. Looking back at last years scores, it seems like the more laid back the kid was, the better their test score was (which to note, drove the perfectionists insane). I'm the biggest slacker in the program, and I fit into IB art really well (other classes are a different matter entirely). If you've ever looked at the outline and syllabus for IB SL and HL art, even they are abiguous.
--
Potted Ham
.... of course we do, especially those at my school - elitists and perfectionists all of us (me included I'd better add). In a way art doesn't fit into this academic side of the IB at all, though the criteria tried very hard to make it so. As I'm frequently reminded by the Group 6 Scientists, we artists don't even have a written exam! On the other side though, I think the IB couldn't work without it: this whole 'multicultural-united world-international-CAS-helping each other' view is only truely expressed in Art as a subject, so they need us artists.
I think it depends on your level, when you enter the IB: You have this amazing talent, so maybe this meant that you already has an understanding of art, which gave you the confidence to instinctively adapt to IB criteria + to produce brilliant work. You fit into IB art naturally. My early IB work was terrible (honestly), and most of all lacked confidence and experience. If I personally hadn't had the teacher-guidance in the beginning and some specific themes to concentrate on, I wouldn't have reached my current level of technical skill or independence. In short: Yes, it's different from person to person - which maybe is exactly why the criteria and the outline is so famously vague and abiguous. (Yes, I just defended the IBO, the ultimate enemy)
(If this makes no sense blame the fact that I just finished ALL my RWBs, 300 pages in total. Mad.)
Just a random question I've been wanting to ask someone in IB at a different school; is there a class distinction involved between IB and non IB students? I don't know if your school is full IB or not. But mine isn't, and it's become painfully obvious that all the upper middle class white kids who went to private school are in IB, and the rest of the student body is well...one could say "overwhelmingly" hispanic.
I don't know if I'm coming to conclusions a little too hastilly, but looking at the program, there are perhaps 40 or 50 anglo-saxon kids, then there's one persian girl, 2 hispanic kids, and me. That is in no way a reflection of our schools racial demographic. Also, most of the people in these classes come from the upper part of the economic bracket, which is also a pretty huge deviation from the norm (60% of our school lives below the poverty line). I don't know, just thought I'd ask around to see if that's true elsewhere. It kind of ruins the idea that IB is an educational system built around equal representation from all areas.
--
Potted Ham
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